For if we are beside
ourselves, it is for God; if we are of sound mind, it is for you. 2 Cor 5:13
She dances on the corner, boom box in her grip,
"Don't ask yourself what the world needs. Ask yourself what makes you come alive, and go do that, because what the world needs is people who have come alive." -Wild at Heart
For if we are beside
ourselves, it is for God; if we are of sound mind, it is for you. 2 Cor 5:13
She dances on the corner, boom box in her grip,
I set out to see the egrets but they were gone. There are things
in nature I can watch for hours, lightning storms, meteor showers and egrets on
water are some. The wingspan of an egret is roughly two feet less than that of
an eagle. In stillness their white regalia makes forest backgrounds fade. Majestic
and elegant flying over water, still captivating, though not as dramatic as an
eagle stretching out to snatch a fish from the water (go watch a Mark Smith video). The egrets are gone from the rookery. To return in Spring. The cycle of
seasons.
The question on the intake form, “Do you think of death?” I
answered no (I lied) and handed the form back to the masked lady behind the
desk. I think of death often. It seems a natural thought process. I mean, the
song that put Marc Scibilia on the charts begins, “I’ve been thinking about
dying, and how that’s gonna be…” In Christ it’s the air we breathe; crucified
savior, cruciform life. Even Solomon says, “It is better to go into a house of
mourning, for that is the end of every man, and it causes the living to take
notice.” Maybe I should have answered yes to that question. The question should
read, “Do you think about death without hope?”
My hope is to photograph an egret in it’s glide over the water.
White wings shimmering in reflection, all creation still and silent. And why
head to the rookery? To quote Lewis, “But nature gave the word glory a meaning
for me. I still do not know where else I could have found one.” For nature
awakens in us longings for another world. I glimpse that in the egret.
Photo by Akshat Adsule on Unsplash
“What are you hoping to get out of them?” my wife asked. To
which I’d reply, “If you’re parents abandoned you, abused you, or sent you to
boarding school in Siberia there’s always a ‘Why.’”
I’m reading through some letters in a box. They were with
my mom’s things, fifteen years ago when we cleaned out her house. A shoe box I
put in storage. Forgot I had them until the unit was unloaded. Letters from my
dad to my mom. Letters dad wrote to my mom from before my birth until I was
seven, my sister five. A one-way conversation.
There are relationships where one partner’s vibrant character,
and purposeful lifestyle pulls the other clod out of catastrophe and into a smooth
orbit. Not our story. My parents were arcing toward collision. To avoid it my
parents lived separate lives, three-thousand miles apart.
The iconic Civil-war letter goes something like, “I would
brave hot musket shot and cannon-ball fire to experience your red-hot loving
again.” Those were not my dad’s letters. Writing from New Jersey to my mother
in the San Fernando Valley the letters contained four basic sentences,
incorporated four themes: the weather, repentance, money, and plea.
Two pages, handwritten; “It is March, and I am still
sleeping in my long underwear.” “Sorry I missed you when I called last night.
The boys and I went out. They bought a round. I bought a round…” “Did you
receive the money from Rochester? They owe me about 140 dollars.” Often, there
was a question about bringing us to visit or to live in the east. Neither ever
happened.
The explosion came in high school. Legal divorce. My sister
and I were not surprised. The letters survived, in a box. In a closet. Devoid
of answers.
Photo by Ire Photocreative on Unsplash
“I hate the man I used to be, But he'll always be a part of me, right now looking at my past…I know it’s unpretty.”--- Jelly Roll
“I love sleep. My life has the tendency to fall apart when I'm awake, you know?” ---Hemingway
One classic struggle, two men, two souls. Hemingway seems a man broken by tension. A man’s man by reputation. The four wives, the whiskey and emotional polarity, all hint at a soul not sated. In contrast his experiences were bigger than life. His writing rich and vibrant, he poured himself into everything he did.
Jelly Roll is the biggest artist on the country music scene.
Not the man’s man Hemingway was. Incarcerated for much of his young life, his daughter
Bailee was born while he was in jail. That crushed him. He turned to the gospel
he’d heard as a child. His music is his story. He plays it close to the bone. It
resonates.
Both struggling with darkness and their love for whiskey.
Hemingway certainly; and would have benefited from current pharmacology. Jelly
Roll shares part of how he was healed from self-pharmacology through 12-steps,
“Hardly sobered up, already wanna quit quittin’, sweaten’ in an old church
basement, wishin’ I was wasted.”
At 19 Hemingway was on the frontlines delivering candy when
he was hit by machine-gun fire and 200 metal fragments. A priest administered
last rites. As a result he converted to Catholicism. Later, he “more formally”
converted” upon marrying his second, Catholic, wife. Some credit these
‘conversions’ to his vision and moral landscape. Whether he was committed to
the framework of the church or to the risen Christ, his writing reflected the three
great transcendentals of truth, goodness and beauty.
Knowing God doesn’t guarantee good art. Faulty coping
mechanisms aren’t easily slayed. It’s surgery. In Christ, in art, in healing, fulness
necessitates leaning into the blade. “There is nothing to writing. All you do
is sit down at a typewriter and bleed.”
Photo
by Akira Hojo on Unsplash
“Security is mostly a superstition. It does not exist in nature, nor do the children of men as a whole experience it. Avoiding danger is no safer in the long run than outright exposure. Life is either a daring adventure, or nothing.” ---Helen Keller
The steamed-up windows make it difficult to see outside. You strain to get a breath of fresh air. Can’t really spread fully out to sleep. You could simply roll down the windows if not for fear of evil reaching in. Car seats aren’t for camping. Could have cuddled if both of you were talking.
Years ago (in a time before cell phones), much more so than now, ‘Zimmer Fries’ abounded in Germany. It literally means, ‘room free,’ and is a type of accommodation in Germany where a local rents out a spare room in their house to travelers. The property owner posts a sign indicating a vacancy. Find the sign, check in, stay the night. Easy.
Our travelers left late that day with the assumption that seeing a sign would be easy. Like a Vegas hotel in neon. So it may have been, on a crisp, clear day. But the rain came. Not softly like the gentle touch of a new lover. It came pouring down like it had something to prove. The wipers zipped back and forth with a fury. The only view, ropes of rain as headlights reflected off the road. And what of our couple in the car?
Late into the night our out-of-towners spy a hotel. Before paying for the room they asked if they could see where they’d be sleeping. Tired, grumpy and angry they are ready for the relief of a bed. Peering into the room their hopes are dashed. The bed is not made. Sheets are everywhere. Unkempt. They shake off the imaginary vermin clinging to them and head back off into the night.
If only they had danced off into the darkness, betting on each other despite the lack of sleeping quarters. That’s not how the story unfolded. Driving on roads they don’t know. Shoulders stiff, tension in the car mounting as they motor on. Ultimately pulling off into a rest area where they spend a cramped night in discontent.
It's a cautionary tale I tell. I’ve spent too much time imbibing particular people’s poison. I’ve let the elements and circumstance crush me instead of hoping God’s working things out for the joy set before me. That night in the car was one night on a long road. A day I wish I had embraced and not spurned.
Rembrandt
has a pauper’s grave,
The museum tourbook read,
A reminder that my life’s appraised,
By
others when I’m dead.
How
could he lie in such a pit?
My
confusion here I’ll confess,
Master
of both brush and light,
Off
canvas so distressed.
How real he draws the prodigal,
Feel
the beggar’s plight,
Oh
might your heart be so gripped,
With
the words that I would write.
His paintings are in the Rijksmuseum
Some
are in the Hague,
Bankrupt
of wives, children and home,
Possessing only the plague.
“These Hobbits Will Sit on the Edge of Ruin and Discuss the Pleasures of the Table.”
A sob sticks in my throat. Images raging on Instagram fill my mind. Winds roar and fires blaze in Los Angeles. Flames flare up on the Getty museum, burning down Moonshadows in Malibu. I took a girl there once. Scorched memories. Seeing the smoke and the ruins reminds me of Mordor and darkness, of Hobbits and hope, of Merry and Pippin enjoying Long-Bottom leaf and the smoke of a pipe at the ruin of Isengard.
When my first marriage burned to the ground I cried with
friends. I turned Spotify up loud while singing along with Third Day; ”There’s
a light at the end of the tunnel”. Psalmodies of passion, lament and praise
kept me going. The Creator has set it up so that these crack open your heart
and infuse hope. The act of singing is an act of defiance. Eating and drinking
too.
If you’ve never sung from a place of heart-ache and
desperate loss take a lesson from Hobbit Sam Gamgee. Believing the quest to be at an end, he
sings, “above all shadows rides the Sun, and Stars for ever dwell: I will not
say the Day is done, nor bid the Stars farewell.” When dark pervades, I cry to
God in hope. Somehow singing grounds me. As do friends, bread and good ale. Hence
the attitude of the Hobbit. May we have the same!